by Suzy Antoniw, Content Developer, Science Museum
Synthetic biology aims to engineer life to make it do what we want. But is engineering a life-form similar to tinkering with a machine? What will this emerging technology look like in the future? At an event held in the Dana Centre in October, University College London (UCL) students, fresh from this year’s International Genetically Engineered Machine (iGEM) competition, used artwork, films and discussion to explore these questions.
The event began with an introduction to the iGEM competition from the UCL team. This competition opens up the subject of synthetic biology to students from all over the world. Because they use ‘bio-bricks’ – ready-made chunks of genetic information for programming a specific trait that can fit together with other chunks – students with varying amounts of laboratory experience can enter the competition and engineer living machines.
Team members from UCL came together from different countries and academic disciplines. Their unique perspectives inspired them to organise this evening to explore the controversies around synthetic biology, not through a highly funded competition, but through a relaxed evening of art and discussion.
A brief introduction from Dr Brendan Clarke (Teaching Fellow in History and Philosophy of Science at UCL) and Dr Joe Cain (Senior Lecturer in History and Philosophy of Biology at UCL) encouraged delegates to think about how the engineered organisms described in the evening’s films and discussion fit into our ideas of what life is. Artist Howard Boland then encouraged the audience to browse the displays and videos on offer, accompanied by members of the iGEM team.
Synthetic biology can make us think about living things in new ways and it is clearly an appealing subject for artists. One video from designer Alexandra Daisy Ginsberg speculated about how a colour-changing bacteria called E. colouri might change the future. Another film demonstrated a project from the Cambridge University iGEM team that made brightly glowing bacteria – E. glowli. Andy Gracie’s 43.25.5.37 allowed delegates to look at microscopic creatures and reflect on life at the microscopic scale and how it relates to art. Eric Schockmel’s mesmerising Occupation: Movements ii & iii (Syscape #4) showed a computer rendering of what a machine that makes life might look like in a future technological ecosystem.
The discussion that followed raised a number of questions and concerns from the audience. A lot of people compare synthetic biology with the early days of electronics – but if today’s bio-bricks are like early transistors, what will tomorrow’s equivalent of computers be like? Joe Cain was keen to emphasise that genetic manipulation had been going on for at least as long as selective breeding and Brendan Clarke added that although we are using the technology to make glowing fish, in future it has the potential to feed the world.
The audience was concerned about who will own genetic information. Synthetic biologists are divided over whether genes should be intellectual property or whether the whole field should be ‘open source’ and free to all. Also looming over the entire subject is the worrying question of whether this technology could be used for destructive purposes. The iGEM team enthused that this makes it all the more important for academics and artists involved in synthetic biology to think about how to bring members of the public along and make them aware of the technology and all its possibilities.
The discussion about this tantalising, emerging technology could have continued for hours but, in the end, the night was just too short.





